July 26, 2019

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34th Annual Bosque Art Classic Show

I am very honored and thrilled to have a piece of Pyrography accepted into one of the biggest art shows around.

Out of over 800 entries from around the United states and even overseas, The 34th Annual Bosque Art Classic in Clifton, Texas took a little over 200 pieces. My “From Religion to Faith” was accepted. This classic fine art show hosts some of the best traditional and representational art. You can go to Bosque Arts Centerto see last years award winners. The show is open to the public from September 15-28. Go to their website for gallery hours.

“Juror and judge Oreland C. Joe Sr., was the first Native American to be invited into the Cowboy Artists of America, Joe is recognized as a master of stone and bronze.”

From Religion to Faith 09-2017 Pyrography on Paper 17 x 14 inches

July 5, 2019

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More Prints Available

14″ x 11″ prints now available on this whole set or individually, on Epson Hot Press Natural paper. $73 each, buy 3 get the 4th half off.

This series celebrates City pride and the historic use of Typography. The Sanborn map company has proudly served cities large and small by accurately mapping every house and street. They continue to offer their services for very modern reasons. These Title Pages were published 1896 – 1926 and are all in the public domain.  I chose them for their artistic appeal. The originals will be on display in Cultivate 7twelve in Waco.

June 17, 2019

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Special Prints now available

Notre Dame in Progress   A very nice lady convinced me to have prints made at this stage of work on my Notre Dame de Paris piece. These will be a strictly limited edition signed series.

The printed image is 14″ x 17″ with 1 1/2 white border all around to allow for matting and framing.

All prints are on Epson’s Hot Press Natural. Its a smooth matte surface paper that will hold fine detail well. It has a slightly warm (natural) white base with no optical brighteners. Produced by Bob Smith of Accurate Image in Waco

The original is 3’3″ x 3’9″ and will be for sale also when finished.

June 3, 2019

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What I’m working on

Notre Dame full screeen

Based on the Vintage etching print circa 1870s / 1880s of Notre Dame Cathedral in Paris, France, as it appeared in the latter part of the 19th century. Etching by Alfred Alexandre Delauney (1830 – 1894).
Pyrography on Maple plywood using the Walnut Hallow versa tool and the Tekchic wire tip machine. Board is 3’3″ x 3’9″.

May 23, 2019

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Envision Magazine

Quoting from their website:


At Envision Arts, we strive to provide avenues to showcase and share creative artworks of many mediums and art style. Should you choose any opportunity to collaborate with Envision, THE ARTIST is the guest of honor! Attention to detail, display and distinction is of utmost importance.

Thank you for featuring me and my art!!!

Envision Article

May 9, 2019

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Shhhh its a Secret

Well, not really. I just haven’t announced it on social media yet. I have big news and it will take a long time to come about, but I wanted to share it with my most loyal fans so it will only be announced here on the blog until I have more concrete evidence.

Dan Beard, lecturer at Baylor, is in the process of getting his Master’s degree in Film making. He has decided that my art and life are interesting enough to produce a 20 minute documentary….. I know, I’m shocked too. So if you see a camera crew following me around, that’s what is happening. We won’t even be doing major filming until December. If you know Dan, you might want to try to talk some sense into him.

April 11, 2019

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Custom Portraits

A friend of mine had this old family photo and asked me to reproduce it on wood for her Mother. I started on the background with my trusty Walnut Hollow versa tool. It made quick work of the solid dark background using the calligraphy tip on its side. The edge of the calligraphy tip is great for crisp clean edges and some shading as well.

For the hair and face I used to wire tip Tekchic pyrography machine, I’m still learning how to control the burn on this machine. It has a digital readout of the voltage and the control dial lets me determine an exact number which is fantastic. It allows me to turn down the heat and go as slow as I’d like to build up layers, or turn the voltage up a fraction and burn a shade darker.

Here is the final piece and the original photo for comparison.


March 23, 2019


Thank you Tekchic

Last Tuesday evening I noticed a message on my Facebook business page (Here if your interested) from a representative of Tekchic. They asked if I would be interested in trying their wire tip machine. So they twisted my arm and two days later my box arrived. Shocked is not the word! I was amazed at two days shipping, plumb gobsmacked.  They sell on Amazon for $99 – $150 and in the name of full disclosure they sent me this one for free, to get my opinion and for me to use their name when I post on Facebook.

There were more things in the box, like an extra burning pen, a tiny bit of stone to shape the nibs with, an instruction book, and the sponge is a bit different from the one in the first picture.

In all honesty I’ve wanted a wire tip pen for a very long time. I’ve burned with the Walnut Hallow for 11 years and just didn’t want to spend the money especially on a machine I had never used before. Another company had sent me their tool back in August of last year, you can read that review Here.  There were a few things I liked about that machine, but it did not hold up to the wear and tear of using it every day, so I had gone back to my trusty WH.

Here’s the first thing I doodled, there were two of these slices in the box and first let me say don’t try to learn to burn on these silly things. They are awful, the dark grain is so hard it will hardly take a burn at all, and the white is so soft that the burner digs in like a house a fire.  Since this one was cracked it wouldn’t matter if I ruin it.

Beetle with pen

Then I found a scrap of good Baltic Birch plywood that I burn on all the time. This wood is much more burner friendly. I did a series of these beetles and had the photo laying around, besides I kinda like bugs so here’s my first serious burn with the Tekchic tool. The power dial seen in the first photo controls the voltage running through the nib. It displays a number on the small screen on the front of the box and it is so delicate that I could dial it between 35-65 stopping at any number in between. Below 35 it didn’t burn at all. At 65 it was a little too hot and burned into the wood a little too much for my liking.  I’m not sure what the actual range of numbers happens to be.  Best of all the pen never got even warm, the cord did though, that was a bit worrisome. I kept an eye on it and it never got hot, just warm.

Changing nibs was a breeze with the tiny screw driver. It cooled down and heated up almost instantly so it was no problem switching between the three I used.

Three nibs

I used the pointed one for the dotted texture and fine hair like fuzzy appearance on the belly and the other two for shading and line work when I turned and used the edge.

Here are some photos for reference. The original photo with the one I burned on wood today, and then the one I burned on Bockingford paper by St Cuthberts Mill the last time with my Walnut Hallow versa tool. I really like the fine tips with this new machine.

Here are the nibs included in the Tekchic kit and how I figured out how to store them in my tip box. I found out quickly that the tips burn much darker on their edge than they do on the flat. So the flat was good for shading. To achieve the large patches of solid dark was a bit tricky. I used the flat edge drawing it slowly toward me, overlapping strokes to even them out and going back over it if a bit of light showed.

So far I am very satisfied with the Tekchic tool. The pen is comfortable and the nibs are great for details. I’m not going to put away my WH for sure yet and will probably always use it for large solid dark backgrounds or large areas in general. But this new toy, um er tool is going to be seriously fun to play with for a while.


March 8, 2019

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Burning the ALICO

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The board is Oak plywood, 2′ x 4′, the largest single piece of Pyrography I’ve done so far.  It took 18 days and no I didn’t keep track of the hours. The original photo was taken in 1920 by Frederick Gildersleeve, used here by permission. It will go on display in the upcoming Woodworking Exhibition at Cultivate 7twelve Gallery in Waco, the month of April. Message me if you are interested in the details for purchase.

February 11, 2019

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Solo Show at the Fort Worth Community Arts Center

There are less than 10 days to see my show in Fort Worth. FWCAC

The Fort Worth Stock Show and Rodeo is shutting down, but there is plenty of Art to see. The reception has been wonderful and many people have walked through and enjoyed the show. WESTERN ROOTS

The FWCAC is sandwiched between the Fort Worth Museum of Science and History and the Kimbell Art Museum, in the building formerly known as the Modern Art Museum.